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Soft Cell's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, one half of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later founded the innovative techno group The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his sleep at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the last two years, after a spate of health issues.

"I ended up damage myself quite a bit," he stated in 2023. "I broke spinal bones in my back and cracked about five ribs and fractured my arm."

Following contracting a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is set for publication next year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an significant part of my existence and for the music you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, together with his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved technician, hunched over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on a television program a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second biggest-selling single of 1981, selling 21 million copies worldwide. Alongside successful tracks by other artists, Human League and electronic acts, it contributed to paved the path for the electronic music style of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having financial security and travelling, which might seem like a beauty queen," Ball recently told with a music magazine.

But it also presented challenges. "Newfound wealth meant we could afford newfound drugs to alleviate the monotony" of media interviews and television shows, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the party-filled existence, the duo were also growing distant, but they managed to produce a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.

After another break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the duo's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He added that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a digital reflection of the sounds in my mind from that time.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is due for launch in the spring of 2026.

The writer

Cindy Lopez

A digital strategist and tech writer passionate about emerging technologies and their impact on society.

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